How are we being shaped by technology? How will our bodies look and feel in the future? Who are we without technology? These curiosities have steered Erika Choe's thesis, Preserving Humanness: Where Bodies and Technology Meet.

Humans have always been deeply entangled with technology. From the first stone tools to modern phones and computers, technologies that surpass our physiological capabilities and enhance our experience of the world have shaped human history.

Technology makes what was impossible, possible. And while this can often be positive, it also holds its dangers. 27 years ago, Carl Sagan shared concerns about the impact we as a civilization would face if a technological monopoly strips us of our agency. In his book The Demon-Haunted World, he writes, "I have a foreboding…when awesome technological powers are in the hands of a very few…[the people's] faculties [fall] in decline, unable to distinguish between what feels good and what is true."

Corey McClelland's thesis, Beyond the Right Stuff: Designing for Disability Inclusion in Space, centers around researching the challenges and opportunities of designing for disability inclusion in space. One major challenge is the lack of accessibility in space technology and infrastructure, as many tools and equipment used are not designed with the needs of individuals with disabilities in mind. Another challenge is the lack of representation of individuals with disabilities in the space industry. However, initiatives like AstroAccess and other disability-inclusive projects have pushed for change and increased industry representation. Corey's research has shown that individuals with disabilities have unique skills and perspectives that can be leveraged to create innovative solutions to space exploration challenges. The push for disability inclusion in space can also lead to a more accessible and inclusive society as a whole.

Cathy Tung's thesis, Well-rounded: Using Art to Enhance Interdisciplinary Learning, sheds light on the potential of art-integrated education to promote the development of hard and soft skills in children. Cathy highlights that traditional education, confined within classroom walls, can be mundane and unstimulating for children to engage with. Conversely, incorporating resources from art museums as a location-based learning tool can provide an interactive and engaging experience that presents opportunities for interdisciplinary learning. This approach can also address the budgetary constraints public schools face in providing adequate art education, particularly in the wake of the COVID-19 pandemic and the associated budget cuts.

Jaemin Cho's thesis, Beyond the Visuals: Reimagining Digital Accessibility for Blind and Low-Vision Communities, investigates the pressing question of how blind and visually impaired (BLV) users can read and interact with digital images in the post-text era dominated by images. With over 7 million people in America alone experiencing some form of visual impairment, digital accessibility is crucial. Through his thesis project, Jaemin questions the status quo and proposes practical solutions for content creators and BLV users to make digital images accessible for all.

Cheryl Zhang's Thesis, Temporal Illusions: Distorting Our Perceptions Of Time, investigates the phenomenon of why time seemingly passes slower when we are younger, compared to the sensation of "time flying" as we grow older. If there are stages of human life that reflect variance in perception of time, what is the possibility of replicating and distorting the process? 

For Charvi Shrimali, the inspiration for her thesis, How India Looks: Localizing Design Tools for a Billion People, was a famous proverb that her grandparents would often repeat to explain the diversity of their country. “कोस - कोस पर बदले पानी, चार कोस पर बानी” loosely translates as: “Every few miles, the water changes. Every four miles, the speech." India is a vast country with a population of 1.4 billion and counting. But its varied geographic, linguistic, economic, social, and cultural landscapes means each of these 1.4 billion individuals look, talk, eat, work, and live very differently from each other. This makes India a complex, diverse and complexly diverse country.

Monica Albornoz's thesis, Pasos: Design Interventions for Gendered Agency in Latin Partner Dance, explores ways to break gender norms in cosmopolitan partner dance. Specifically, her thesis investigates the notion that women take the role of followers and men the role of leaders. Monica argues that although gender norms affect all dancers, the bias particularly affects cisgender feminine women.

Are you seeking to make your daily life more joyful without spending too much effort or money? Xinyue Wu's thesis project, Xinyue: Delight in the Everyday, offers simple, affordable solutions for 24-35-year-old workers. By transforming ordinary experiences into delightful ones and using everyday products as emotional intervention tools, Xinyue aims to bring joy into people's lives in a more accessible and sustainable way. With this approach, individuals can unconsciously infuse their daily lives with new-found vitality and happiness.

Think about the last time you took a rapid COVID-19 home test. Every brand has a different protocol, instructions can often be confusing, results can be unclear, and the amount of wasteful packaging is truly excessive. The Fifteen Home Kit —getting its name from the familiar waiting period interval—is an all-in-one solution with easy-to-follow steps that fits seamlessly in a purse or back pocket.

New York City has seen a tremendous increase in bike sharing—with 1.6 million New Yorkers regularly riding a Citi Bike. But while this increase in popularity has many benefits, it also means more accidents. Bicycle helmets can prevent serious head injuries by 85%, yet 88% of Citi Bike riders choose not to wear helmets. Halo is a helmet-renting service—a convenient and hassle-free way to access protective headgear in NYC. 

The ORA cup and applicator is a self-care product duo for young teenagers to alleviate the intimidation of folding and inserting menstrual cups. On a mission to create eco-friendly, high-performance products, second-year students Nihaarika Arora, Cheryl Zhang, and Xinyue Wu designed ORA during the Product, Brand, and Experience course taught by Hlynur Atlasson.

Trace is an intuitive and thoughtful oral hygiene tool designed to elevate your overall dental wellness experience. Four minutes (the recommended brushing time) many not seem very long, and yet many of us still struggle to dedicate those minutes to our daily dental care routine. Why? Because of its high effort and low reward nature, dental care feels like a task. The current products in the market offerings don’t help either. The industry is hyper-focused on adding high-tech whitening and brightening innovations, rather than focusing on the user’s experience and healthy basics.

Margarita Zulueta’s thesis, Weighted: Designing Towards Fat Liberation, investigates how anti-fat bias affects fat-identifying women through the lens of design. Anti-Fat bias is the discriminatory belief that the social stigma against fat people, in the tradition of fat activists reclaiming the term, is justified. Anti-Fat bias is normalized and affects the 1.9 billion adults who are considered to fall within this group. Having experienced the pain of anti-fat bias in her own life due to falling within the small-fat to mid-fat range, Margarita explores and creates products of design to create structures that move towards fat liberation.

At Wanted Design in New York City, the Class of 2023 debuted their semester-long group project, RE-ACTORS. Products of Design students present annually at the NYCxDESIGN Festival, and this year was unique since Wanted Design took place at the ICFF at the Jacob Javits Center!